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Celebrating the Art Movement That Wasn't

The article from The New York Times discusses the "Orphism: The Evolution of Non-Objective Art" exhibition at the Guggenheim Museum, focusing on the work of Sonia and Robert Delaunay. Orphism, a term coined by the poet Guillaume Apollinaire, refers to an early 20th-century art movement that emphasized color and light, moving away from representational art towards abstraction. The exhibition showcases how the Delaunays' exploration of color dynamics and geometric forms influenced modern art. It highlights Sonia's textile designs and Robert's paintings, illustrating their shared vision of a world where color could convey emotion and movement. The show also contextualizes Orphism within the broader trajectory of abstract art, demonstrating its impact on subsequent movements like Cubism and Futurism. The article notes the exhibition's attempt to revive interest in Orphism, presenting it as a pivotal yet often overlooked chapter in the history of modern art.

Read the Full The New York Times Article at [ https://www.nytimes.com/2024/11/28/arts/design/orphism-guggenheim-museum-delauney-art.html ]