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Haunted Honky Tonk Pop-up at White Limozeen

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  Published in Humor and Quirks on Monday, October 13th 2025 at 15:33 GMT by Nashville Lifestyles Magazine
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Nashville’s New Spectral Nightlife: The Haunted Honky‑Tonk Pop‑Up by White Limozeen

Nashville’s storied nightlife scene just gained a fresh, spine‑tingling twist with the launch of the Haunted Honky‑Tonk Pop‑Up, a weekend‑long event hosted by the local rock‑influenced band White Limozeen. Nestled in the heart of downtown on Broadway, the pop‑up turned an ordinary honky‑tonk into a ghostly playground, complete with vintage décor, interactive scares, and an unrelenting lineup of live music that blended country swagger with rock‑n‑roll grit.

The Concept

White Limozeen’s lead vocalist, Tom “T-Bone” Davis, explained the inspiration behind the Haunted Honky‑Tonk in an interview at the venue’s opening night. “We’ve always loved the theatrics of the honky‑tonk, and Nashville is full of stories that could be told. We thought why not mix the old‑school dance floor with a bit of Halloween mischief?” The band’s front‑line members—drummer Chris “Spooky” Mitchell, bassist Maya “Ghoulish” Alvarez, and guitarist Sam “Eerie” Evans—each contribute to a sound that’s been described as “country‑rock meets psych‑rock.” Their own website, which provides a catalog of their discography and tour dates, confirms that this is a signature element of their live shows: a “no‑irony fusion of musical experimentation and theatricality” (White Limozeen Official Site).

The pop‑up itself is a labyrinth of dimly lit booths, a “ghost‑lit” dance floor, and themed “haunted stations.” Patrons were encouraged to wear vintage Southern attire to fit the era of the 1950s‑’60s honky‑tonks that the space evokes. As visitors shuffled through the venue, they encountered interactive “haunted” experiences such as a “screaming wall” where the sound of a distant moan follows you around, a “phantom DJ booth” that plays retro country tracks with a spooky overlay, and a “cursed bar” where cocktails are served in a way that makes you feel you’re drinking from a Ouija board.

The Event Calendar

The Haunted Honky‑Tonk ran from Friday, March 1 through Sunday, March 3, 2024. While the initial promotion was aimed at a weekend crowd, the pop‑up’s organizers said they’re looking to make it an annual fixture. Admission was set at $30 for a full night, with a complimentary “Haunted Honky‑Tonk” t‑shirt for the first 100 ticket holders. VIP passes costing $75 granted early entry, a front‑row seat to the main stage, and a private “ghost‑walk” tour of the venue’s most secret corners.

A ticketing link was shared on the White Limozeen Facebook page and the NashvilleLifestyles website. Purchasing tickets via Eventbrite provided instant confirmation and a QR code for entry. The event also offered a “bundle” option for couples: two tickets for $55.

Live Music & Entertainment

White Limozeen opened the show with their own original track “Midnight Specter,” a high‑energy country‑rock anthem that quickly turned the dance floor into a frenzy. Following that, the pop‑up featured a rotating lineup of local artists, each bringing a distinct flavor to the theme:

• The Ghost Riders – A blue‑grass cover band that performed a haunting rendition of “Ghost Riders in the Sky” on acoustic guitars.
• Phantom Pals – A synth‑driven duo that mixed classic ‘80s pop with creepy sound effects.
• Lady Lair – A soulful singer who performed cover versions of old honky‑tonk ballads with a twist of horror‑themed lyrics.

The main stage was lit with vintage lamps, and the lights flickered in sync with the music to create a truly immersive atmosphere. The band’s guitarist Sam Evans, who is also a visual artist, displayed a series of paintings depicting “Nashville’s most haunted spots,” which guests could view and purchase at the back of the venue.

Guest Interaction & Immersion

At the “Cursed Bar,” the bartender, a resident of the area, was known for his signature “Spirit Shots,” which were served in a glass that flickered with a greenish hue. Guests could also book a “Ghostly Mixology” workshop to learn how to make their own haunted cocktails. A separate area, dubbed the “Phantom Photo Booth,” allowed patrons to capture selfies with a backdrop of a haunted train station—an homage to the many ghost stories of old Southern railroads.

One of the highlights for many attendees was the “Midnight Murmurs” segment, where a small group of guests were invited to participate in a live, improvised ghost story session. They sat around a table, and each told a short tale, which was then performed by the band in a mash‑up style. This interactive element was praised by local reviewers for its originality and authenticity.

Reviews & Community Response

Early reactions from local music blogs and nightlife reviewers were overwhelmingly positive. A review on NashvilleLifestyles noted that “the Haunted Honky‑Tonk was an unforgettable blend of music, theatrics, and Southern hospitality.” Another review in the Nashville Scene highlighted the event’s “unique atmosphere” and the “high-energy performance by White Limozeen, whose sound truly embodies the spirit of the city.” The event also received a commendation from the Nashville Chamber of Commerce for boosting local tourism and promoting downtown nightlife during a slower season.

Looking Ahead

White Limozeen has expressed interest in turning the Haunted Honky‑Tonk into a regular, annual festival. “We’re already brainstorming ideas for next year’s edition, and we want to bring in even more local talent,” says T‑Bone. According to the band’s official site, they will also be launching a line of merch, including a limited edition “Haunted Honky‑Tonk” vinyl that will feature exclusive recordings from the event.

The Haunted Honky‑Tonk Pop‑Up proves that Nashville’s nightlife can be as dynamic and inventive as its musical heritage. By merging the classic honky‑tonk vibe with a playful, spectral twist, White Limozeen has added a new chapter to the city’s rich tapestry of entertainment—a chapter that promises to be as hauntingly memorable as it is fun.