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Elf the Musical Lights Up Oklahoma City in a Winter Wonderland

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  Published in Humor and Quirks on Saturday, November 22nd 2025 at 6:58 GMT by The Oklahoman

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“Elf the Musical” Takes Over Oklahoma City: A Comprehensive Review

On November 20 and 21, the Oklahoma City Performing Arts Center (OCPAC) opened its doors to a glittering production of Elf the Musical, a holiday‑season spectacle that has already become a staple for families across the United States. The Oklahoman’s review, published on November 22, captures the show’s triumphs, highlights its creative choices, and offers a candid assessment of how well the production translated the beloved 2003 film into a Broadway‑ready stage event.

The Premise – From Screen to Stage

Elf follows the story of Buddy (played by a lanky, high‑spirited performer from the local theater community) who grows up in the North Pole under the watchful eye of Santa Claus. After discovering his human lineage, Buddy travels to New York City in search of his biological father. Along the way, he learns that “you can’t be a real person if you’re always a real elf” – a line that has become a holiday favorite. The musical’s book, lyrics, and score were written by Andrew Lippa, a Pulitzer‑prize‑winning composer who has long been associated with contemporary Broadway productions.

The Oklahoman article links to the official Elf the Musical website, which gives a deeper look at Lippa’s creative process. Fans of the show can also view an interview with Lippa in which he explains how he adapted the film’s “cheery humor” for the stage while maintaining the emotional depth of Buddy’s quest for identity.

Production Design – A Winter Wonderland on Stage

One of the most striking aspects of this OCPAC rendition is the set and lighting design. The production team, led by scenic designer Sarah Thompson, created a wintry backdrop that feels both expansive and intimate. A rotating, oversized candy cane “carousel” serves as a dynamic centerpiece, enabling the ensemble to showcase a range of dance numbers while also providing a visual anchor for the story’s whimsical moments. The lighting designer, Mark Rivera, used a palette of icy blues and soft golds to evoke the cold, magical feel of the North Pole, while the transition to New York’s neon-lit streets is achieved with a dramatic shift to warm amber and electric blues.

The review notes that the costume department also paid careful attention to detail, with Buddy’s signature green elf outfit featuring an oversized buttoned vest and a green velvet cape. In contrast, Santa’s outfit was modernized with a faux fur trim that added an unexpected layer of sophistication.

Musical Numbers – From “Be the Elf” to “Buddy, I’m Feeling”

The score remains largely faithful to Lippa’s original composition. The opening number, “Be the Elf,” immediately pulls the audience into the North Pole’s playful atmosphere. The review praises the choreography by Jasmine Patel, who choreographed a “high‑energy” dance that feels fresh and engaging. The ensemble’s synchronized movements add a layer of visual delight, especially during the “Snow‑Melt” sequence, which is a highlight for many reviewers.

The show’s emotional core is found in “Buddy, I’m Feeling,” where the titular character sings his heart’s confession to his father, a moment that the Oklahoman review captures as “a masterclass in balancing humor with genuine sentiment.” The production also includes the crowd‑pleaser “Santa’s Gone Wrong,” a comedic, multi‑character ensemble that keeps the show lively and light.

Cast – Stand‑Out Performers

The Oklahoman article gives particular credit to the lead actor, Alex “Buddy” McIntyre. McIntyre’s portrayal is described as “cheerful, charismatic, and oddly believable” – a combination that helped him carry the show’s emotional weight. McIntyre’s vocal performance, which required a clear tenor, is praised for its “crisp phrasing” and “robust stage presence.”

Supporting roles are equally strong. The character of Mrs. Claus, played by Diana Hartman, is “warm, nurturing, and occasionally sharp-tongued,” and the actor’s comedic timing is noted as “spot-on.” The role of Buddy’s father, James, delivered by Carlos Vega, is highlighted for his nuanced interpretation of a man torn between his duty and his love for his son.

The article also references the touring production’s involvement with the Oklahoma City Youth Theater, which provided a talented ensemble for the musical numbers. Their energetic performance added a vibrant, youthful edge to the overall production.

Technical Execution – A Seamless Experience

The Oklahoman’s review also tackles the show’s technical elements. Sound design was “clean, with a balanced mix that keeps the vocal lines clear.” The lighting transitions were “smooth,” avoiding any jarring moments that could pull the audience out of the story. However, the reviewer notes a slight hiccup during the “New York City” montage where the transition was “a tad rushed,” but this minor flaw did not detract from the overall experience.

The director, Thomas Nguyen, is praised for his ability to “maintain the pacing without sacrificing depth.” Nguyen’s approach to blocking allowed the actors to move fluidly across the stage, keeping the audience engaged.

Overall Assessment – A Must‑See Holiday Classic

In conclusion, the Oklahoman’s article rates Elf the Musical as a “family‑friendly, high‑energy, and deeply entertaining” production that effectively bridges the gap between film and stage. The review emphasizes that the production stays true to the original spirit while also adding fresh, local touches that resonate with Oklahoma City audiences. Whether you’re a die‑hard fan of the movie or a newcomer to the holiday musical tradition, Elf promises to deliver laughter, heartwarming moments, and a celebration of the holiday season.

For anyone looking to experience the magic of Elf in a local setting, the OCPAC offers a ticket to a show that delivers on every promise: a dazzling spectacle, a story of belonging, and the universal message that “you can’t be a real person if you’re always a real elf.”