Could 'Somebody Somewhere' Go On Forever? Exploring Its Enduring Appeal

Published in Humor and Quirks on Saturday, August 2nd 2025 at 20:29 GMT by Gold Derby
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"We could do this show forever. We love it so much." Those are the shared sentiments of Hannah Bos and Paul Thureen, the creators of HBO's critically acclaimed series Somebody Somewhere, who recently sat down with Gold Derby to reflect on the show's exploration of love, chosen family, and Midwest quirks as well as

Could This Show Go On Forever? Exploring the Enduring Appeal of 'Somebody Somewhere'

In the landscape of modern television, where high-stakes dramas and blockbuster spectacles often dominate the conversation, there's something profoundly refreshing about a series like "Somebody Somewhere." This HBO gem, now wrapping up its third season, has carved out a niche for itself by focusing on the quiet, everyday struggles and joys of life in a small Midwestern town. Created by Hannah Bos and Paul Thureen, and starring the incomparable Bridget Everett as Sam, the show follows a woman in her 40s navigating grief, friendship, and self-discovery in Manhattan, Kansas. But as the series approaches what might be its conclusion, a burning question emerges: Could "Somebody Somewhere" go on forever? The creators, cast, and fans seem to think it has the potential, thanks to its authentic storytelling, relatable characters, and the universal themes it explores.

At its core, "Somebody Somewhere" is a character-driven dramedy that defies easy categorization. Sam, inspired loosely by Everett's own life, is a plus-sized, outspoken woman who returns to her hometown after the death of her sister. She's not your typical TV protagonist—no superpowers, no glamorous makeover arcs, just a raw, unfiltered look at middle-aged ennui and the search for belonging. The show's strength lies in its ensemble cast, including Jeff Hiller as Joel, Sam's gay best friend and choir buddy; Mary Catherine Garrison as Tricia, Sam's complicated sister; and a rotating cast of local talents that bring the Kansas setting to vivid life. Episodes often revolve around mundane yet poignant moments: choir practices, family dinners gone awry, or late-night heart-to-hearts that reveal deeper emotional layers.

The third season, which premiered earlier this year, delves even deeper into these themes. Sam continues to grapple with her identity, exploring new romantic possibilities and confronting old wounds. One standout storyline involves her budding relationship with a character played by Tim Bagley, which adds layers of vulnerability and humor. Meanwhile, Joel's arc takes him on a journey of self-acceptance, including navigating his own relationships and career aspirations. The season doesn't shy away from heavier topics like mental health, addiction, and the lingering effects of loss, but it balances them with Everett's signature wit and musical interludes—yes, Sam belts out songs in a way that feels both cathartic and integral to the narrative.

What makes "Somebody Somewhere" feel like it could indeed run indefinitely is its episodic yet serialized structure. Unlike plot-heavy shows that burn through storylines quickly, this series thrives on the slow burn of character development. Creators Bos and Thureen have spoken about drawing from real-life experiences, infusing the show with an authenticity that's rare in television. In interviews, they've emphasized how the series is less about grand resolutions and more about the ongoing process of living. "Life doesn't wrap up neatly," Bos has noted, "and neither does our show." This philosophy allows for endless storytelling possibilities—new friendships, evolving family dynamics, or even Sam venturing beyond Kansas for fresh adventures.

Bridget Everett, the heart and soul of the series, brings a magnetic presence that's equal parts hilarious and heartbreaking. Her performance has earned critical acclaim, with many praising how she embodies the show's ethos of embracing imperfection. Everett's real-life background as a cabaret performer shines through in Sam's musical moments, which often serve as emotional climaxes. For instance, in season three, a rendition of a classic tune during a choir performance becomes a metaphor for communal healing. Fans have latched onto these elements, turning the show into a cult favorite despite its understated promotion. Social media buzz often highlights how "Somebody Somewhere" feels like a warm hug in a cold world, resonating with viewers who see their own lives reflected on screen.

The supporting cast adds immeasurable depth, making the ensemble feel like a real community. Jeff Hiller's Joel is a standout, providing comic relief while exploring serious issues like body image and queer identity in a conservative setting. His chemistry with Everett is palpable, often stealing scenes with their banter. Mary Catherine Garrison's Tricia evolves from a somewhat antagonistic figure to a more nuanced character dealing with her own grief and motherhood challenges. Even smaller roles, like those played by Jane Brody as Sam's mother or Murray Hill as the quirky Fred Rococo, contribute to the show's rich tapestry. It's this interconnected web of relationships that suggests the series could expand in myriad directions—perhaps introducing new characters or following side stories in spin-off-like episodes.

Critically, "Somebody Somewhere" has been lauded for its representation. It's one of the few shows centering a middle-aged woman who's not defined by romance or career success but by her inner world. The portrayal of LGBTQ+ characters, particularly in a rural American context, feels groundbreaking yet understated, avoiding stereotypes in favor of genuine humanity. The show's handling of grief is particularly poignant; Sam's journey isn't about "getting over" her sister's death but learning to live with it, a theme that echoes through every season. This realism has drawn comparisons to shows like "Schitt's Creek" or "Derry Girls," which also blend humor with heartfelt moments, but "Somebody Somewhere" stands out for its Midwestern specificity—the flat landscapes, the community events, the unpretentious dialogue that feels ripped from everyday conversations.

As the third season concludes, speculation about the show's future is rampant. HBO has not officially announced a renewal, but the creators have expressed openness to continuing. Thureen has hinted at untapped storylines, such as Sam exploring her artistic side more deeply or the group facing external challenges like economic shifts in their small town. Everett herself has joked about wanting to play Sam until she's 80, suggesting the character's aging process could provide fresh narrative fuel. Imagine seasons where Sam mentors younger generations, or where the focus shifts to the next wave of personal growth for the ensemble. The show's format lends itself to longevity; it's not beholden to a finite plot, allowing it to evolve organically like life itself.

Yet, there's a delicate balance to consider. Part of what makes "Somebody Somewhere" special is its brevity—three seasons of concise, impactful episodes that don't overstay their welcome. Extending it indefinitely risks diluting its charm, turning poignant moments into repetitive tropes. Fans argue that the show's strength is in its restraint, knowing when to let characters breathe without forcing drama. Still, the potential is there: with its low-stakes vibe, it could mirror long-running series like "The Office" or "Parks and Recreation," which thrived on character quirks over plot twists.

Beyond the narrative, "Somebody Somewhere" taps into broader cultural conversations. In an era of isolation exacerbated by the pandemic, the show's emphasis on community and connection feels timely. It's a reminder that profound stories don't always need explosions or twists; sometimes, a simple choir rehearsal or a shared laugh is enough. The series also shines a light on underrepresented voices—middle-aged women, queer individuals in flyover states, and those dealing with quiet despair. By doing so, it challenges Hollywood norms and paves the way for more inclusive storytelling.

In the end, whether "Somebody Somewhere" continues or not, its legacy is secure. It proves that television can be both entertaining and therapeutic, offering viewers a mirror to their own lives. The question of it going on forever isn't just about renewal—it's about the enduring human experiences it captures. As Sam might say, life's too short for perfection, but it's long enough for endless stories. If the show does return, it could keep evolving, season after season, reflecting the messy, beautiful continuity of existence. And if this is the end, it bows out on a high note, leaving audiences with a sense of warmth and possibility that lingers long after the credits roll.

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Could 'Somebody Somewhere' Go On Forever? Exploring Its Enduring Appeal

Could This Show Go On Forever? Exploring the Enduring Appeal of 'Somebody Somewhere'